SWN Screenplay Competition - Short Film

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Do you think you’re ready to turn your screenwriting hobby into a career? Submit your screenplay today!




Have your script read by the some of the most experienced industry screenwriters and producers.

Jim Uhls


Jim Uhls the legendary screenwriter who wrote cult classic Fight Club directed by David FincherJumper directed by Doug Limon, and Semper FI produced by himself and Steven Spielberg.

Kraig Wenman


Kraig Wenman has sold 63 feature scripts and 27 produced films. Kraig’s recent psychological thriller Secret Obsession scored 40 million views in 28 days putting it into the Top 10 most-watched Netflix Originals ever. Kraig’s other screenwriting credits include Cyberstalker, Absolute Deception and Bandit starring Mel Gibson, that will be released this year.

Tamara Chestna


Tamara Chestna is a screenwriter and producer, known for writing and producing Netflix Originals such as After and Moxie. Tamara has also written Sneakerella, a Cinderella adaptation movie that will be released in May 2022 on Disney +.


Luke Harvis


Luke Harvis is a writer and actor whose credits include The Diabolical and the Netflix Original movie Clinical. Luke has also written Mile 81 adapted from the popular Stephen King novel.



The Grand Prize winner of the SWN Feature-Length Screenplay Competition will receive:


 Automatically qualify for our annual screenplay competition ($1200 Award)

The SWN hanging frame award with your winning script and laurels inside

 A Free SWN Membership to access jobs opportunities, the script library and site-wide discount

 Receive a 4-month InkTip Pro Membership. Thousands of filmmakers can find and read your scripts, and you’ll be able to pitch directly to production companies every week.

 A lifetime subscription to Final Draft Pro screenwriting software (worth $249.99)

 A $40 Gift Card to be redeemed at Filmmania Gifts

 Your script will be sent to our judges and select members of our contacts


➤ Every Script Submitted Gets Registered With SWN For Free. No Need to Register With The Writers’ Guilds (WGA, WGUK etc.).

➤ FREE eBook

➤ You Will Receive a $10 Gift Card From us to be Redeemed on Our Script Coverage Services.


Rules & Terms

All submissions must be written in English.

All ages are eligible.

Material submitted must be written and owned by the person submitting. You may submit as many entries as you like.

All entries must be uploaded in PDF format.

You may resubmit your entered script once at the discretion of Screenwriters Network. This will be dependent on where the script is in our process and whether this has already been assigned to a reader/ judge.

If submitting as a team a singular prize package (only) will be made out to the initial person who submitted.

Scripts submitted to the SWN Screenplay Competition are protected and remain the owner of the person(s) that submitted.

If you have any further questions, please contact us.

The winners are selected based on the some of the following elements:


What does your story consist of? Is the bulk of your story great action, meaningful moments and interesting plot related scenes. Or is it a little mild, unrelated and/or too reflective of everyday life. What events does your script consist of to pull in the audience? Is it related to the character desire and potential theme?


Character Development

What interesting character traits do your characters have? Are they 3-dimensional and interesting? Do they have a past? Are they unique and fascinating? Are they boring, passive and/or underdeveloped?


Cinematic Potential

Does your script have many moments that will translate well visually? Is this script non-visual and unimaginative? Does it have an array of exciting, interesting or unfamiliar locations? Does it have any breathtaking, thematic or nuanced scenes? Will a director be able to interpret this script well?



The denouement is the culmination of all events of your script; the pay off! How impactful is your ending? Is your resolution satisfying and related to your characters desire? What’s the lasting impression on the audience? Have all loose ends and sub-plots been resolved or addressed?



The prologue is your opening image, the introduction to your story. Does your opening set up a theme? Is there a hook or device that draws the audience in at the beginning? Is the introduction to your story memorable, impactful or shocking?


Call to Adventure

The call to adventure is often a very good predictor of how strong your characters desire is. This works hand in hand with your protagonists desire. What is it that sets your character on their journey? Is it an impactful or emotional event or series of events? How strong is your call to adventure? Is it a fleeting thought within your protagonist, or is it devastating or dramatic moment?



Is the dialogue overused, too obvious and revealing? Is it repetitive? Is the dialogue used in a way that’s unique? Is there subtext involved? Do all of the characters speak differently? Is the dialogue poignant? Is there a good amount of conflict in the dialogue? Is some of the dialogue too long?



Is this script well-paced? Does it have any slow moments? Is the pacing too fast without any breaks in the drama or action? How well paced is the beginning, middle and end acts? Could the story be shorter? Could it be longer?

We recommend that scripts should be written in 12-point courier font.

Page lengths MUST meet the guidelines stated below or there is an additional cost of $1 per page.

– Feature Lengths screenplays must be 200 pages or under.

– TV Pilot screenplays must be 75 pages or under.

– Short Film screenplays must be 45 pages or under.

Please do not include any personal information (including your name), cover letter, CV, synopses, or photos with your submission. These will not be forwarded to the readers/ judges. We pride ourselves on judging anonymously and therefore the script must be presented without any of this information.

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